The place where I work has a relatively large population of Micronesian students. In fact, a summer program for work put this book on my radar, and I’m so glad it did. I find myself wanting to learn more about this population. From the book I read about the indigenous connection to place, language, racism, climate change, climate refugees, refugees from US nuclear testing, food, love, religion, womanhood, family, and more.
I found myself searching for plane tickets. Just how far away are the Marshall Islands?
The Beadworkers by Beth Piatote brought back memories of gingham table clothes and picnics near Clark Creek with Grandma, trips to Omak, where I learned about suicide races, and the smell of tender beef stew from the crock pot, sliding in Grandma’s passenger seat as she accelerated over the railroad tracks, the proper way to make a flowerbed, the importance of reading, assimilation because your life depended on it, adoption.
Piatote knows the inland northwest well, and reading her work is like learning that someone else has the same secret you do. I have a similar feeling when reading authors like Sherman Alexie and Raymond Carver. They know these places and these people too, and it’s so nice to feel seen by them.
Reading is one thing that renews me and gives me a stronger sense of who I am. That sense of who I am has changed in wonderful ways in the past few years as I’ve become a mother, but also in worrisome ways. There is a daily grind, a constant sense of work to be done, no rest for the weary. Reading Piatote’s bio, I saw that she is also a mother, and I felt even more reaffirmed. She is able to remember. So can I.
The book made me feel creative and curious and revitalized, and in reading it, I am overwhelmed with gratitude for my job, my colleagues, and my students and the life I get to live that puts me in the way of this literature.
The Nez Percé language throughout the book was powerful to see and sound out.
I’ve long been a fan of her blogs, especially Honey Rock Dawn, and read her second book about raising a coyote, but have really been looking forward to Meditations with Cows, which is about, well, cows and Shreve Stockton’s relationships with them.
The book is beautifully written. New York Times-style think pieces about the environment, the importance of grass, our relationship to food, and especially meat, and the nature of cows are interspersed with personal essays about milking cows, calving cows, and dying cows.
The book helped me think more about the importance of having personal connections to specific pieces of the land, to watch over the same path as the seasons change. There are dreary statistics: “[T]he amount of land owned by the one hundred families with the largest holdings totals forty-two million acres. And this is a 50 percent increase from 2007.” The arguments are absolutely true about our unhealthy and unsustainable relationship to the planet, but I found myself overwhelmed by the hopelessness of it all. Still, the book encouraged a “meditative” approach. One moment, one breath, one choice, and one relationship at a time.
While reading this book, I am currently bottle feeding a little group of calves that for one reason or another could not be raised by their mothers, and so bovines have been heavily on my mind. I grew up on a cattle ranch and ate a lot of red meat growing up. As I grew up, and moved away from the ranch, a choice I made primarily because it is impossible to make a living raising cattle if you’re starting from the ground up, I naturally ate less red meat. I had less access to the good stuff, and store bought meat is just not as good. Finally, after years of work, I have a little place of my own that allows me to have livestock (though not nearly enough to making a living). I wondered if working closely with the cattle again would make me want to stop eating meat for good. Instead, the opposite has happened. I have been surprised to realize that the closer I am to the food source, the more at peace I feel about consuming beef (and chicken and eggs).
Not everyone can raise their own food, and not everyone wants to, but many of us now can have relationships with our farmers, can follow blogs and Instagram to see the life of a farm, the early lettuce sprouting, lambing season, the richness of July, and the cool autumn harvest. Connecting to the place and the food makes it all so much better in every way: spiritually, but also nutritionally, as we know now that foods produced outside of monocultures are more highly nutritious. Our taste buds can also confirm the difference.
I’m including The Secret Teachings of Plants by Stephen Harrod Buhner on my booklist this year, even though it got a hard skim after the first few chapters, which only occur after a lengthly “Note to Reader,” Introduction, and then Prologue. Finally, the reader gets to “Section One: Nature.”
The book promises to be split into two parts: the first half “Systole” and the second half “Diastole.” Systole promises to be the more linear, factual, mathematical half and diastole the more creative and emotional half of the book. However, the tone and approach is nearly identical in each “half.”
The approach is a rambling mix of pot smoker, metaphysical, mystical philosophy popular in the ’60s. It’s a meaningful and worthwhile philosophy, but it’s definitely a type. The writing is fragmented, made worse by constant quotes by the likes of Thoreau, which constantly disrupts the flow of the text.
My deepest disappointment is that the book promises to explore the emotional and creative teachings of plants, and that concept is completely intriguing and compelling to me. I would love to read that book! Unfortunately, this book does not deliver on it’s promise.
Ok, I have very mixed feelings about this book. On one hand, some of this author’s work is genuinely funny, and she has some genuinely crazy and frightening stories resulting from her addiction. On the other hand, there aren’t many laughs in the book, and the entire experience is somewhat cliche.
The story is one we have all heard. Attractive broken person heads off to Hollywood to make it big (in no small part because there is absolutely nothing else they could possibly succeed at). Person spirals into a chaotic and frightening world of addiction, “success” slipping in and out of grasp, until finally, after a decade or two in the business, some modicum of success is achieved and a tell-all book is written.
Clery’s comedy is more slapstick than is my taste. A lot of it is also pretty contrived. A central part of her work involves fat shaming to a degree. Her accent is imprecise. I find myself searching for her authentic voice, but it constantly oscillates between suburban Chicago housewife, valley girl, vapid model, and British.
In this book, the narrator is unreliable. She writes that her husband was divorcing when they met. But, fails to mention the wife when recapping her husband’s bio. She reveals herself making stupid choices, then she demonstrates awareness of stupid choices, but she also seem unaware of some of her toxic habits as well: borrowing money, codependency, and requiring caretakers, even in current presumably healthy state. She unselfconsciously mentions how lame it is that she can’t make a new friend group within a two month time period. Staying home alone for a few days is a rock bottom lameness that sends her spiraling. I think it would be funnier if she acknowledged her own neediness and superficiality. I want to believe that there’s a lot more complexity to this person, and maybe it was just an issue of editing.
And yet! For a book that was most definitely dictated into one of those little handheld tiny recorders, and then pieced together by a beleaguered ghostwriter, the stories are gripping, and the attitude works. Positive affirmations, eating lots of raw fruits and veggies, meditating, being tall and thin and beautiful, marrying a successful man, living in a temperate climate, attending AA, trying, and persisting actually is a recipe for inspiration and success! I’m glad I read it.
I’m not sure what to say about 2020. It was quite a year. I’m an introvert, and I had a baby, and so I was prepped to do a lot of staying home and laying low and not really interacting with the public all that much. Then of course the pandemic put all of that into overdrive.
On one hand, it was a really lovely year. I felt like a pioneer. I made sourdough bread and took care of my babies. I felt capable, and it was exactly what I wanted to do.
Except that I would’ve liked to spend more time with human people. I would’ve liked to have had more help with the babies, so that there wasn’t always so much pressure around work, and timing, and getting naps just exactly right for a Zoom meeting, and working at odd times and late into the night because that’s when I could.
At the beginning of the pandemic, we were told to go easy on each other and to be accommodating to each other. At first it seemed like I wouldn’t need this same accommodation, but over time, I came to realize that I did. Even if you weren’t directly impacted by a Covid case, there was an unexpected cascading effect, so that most of us were impacted in one way or another.
In addition to a national/global crisis, 2020 was personally tough for most people I know. My life was no exception. Weirdly challenging things kept happening in 2020. There were literal floods and pestilence, and my heating system broke in, like, six different ways at six different times last winter. Although we never fully had to go without, I had to ration milk for my toddler because of food shortages, something I had never even thought about before in my life.
It’s not over yet, but the vaccine is in sight. I now know people who have received it. As that number increases, I think things will slowly start to feel normal again (though the fallout will last for years). I hope I look back on this year fondly and with gratitude. It’s no exaggeration to say that having to drop a baby off at daycare has been one of the most traumatic experiences of my life, and so I am grateful that I’ve been able to spend so much of my kids’ infancy with them and caring for them.
Having them home while working took a toll though. I think I juggled it all, but it was exhausting, and I am but a wisp of the person I used to be. I hope that in time, I can recover and that I can come out of this experience without debilitating germaphobia or food hoarding habits. Time will tell.
Once again, this year’s reading list was fairly short, but a little longer than last year, which is impressive given that I had twice as many children to care for! Trust me—reading any books that aren’t for work with little ones at home is a feat. I also read zillions of children’s books and am including Stuart Little on this list because of it’s literary merit.
As I scroll back through the old blog, I’m a little surprised to see that I’ve made several baby blankets that haven’t been documented! After I found out I was pregnant with baby L, I quickly knitted a baby blanket for him using the same yarn and pattern as this one because it was a favorite.
I thought I would do something similar when I found out I was pregnant with baby A, but in the interim, I had knitted another baby blanket for my cousin’s baby. I liked it so much, I bought an extra skein, not knowing how I’d use it. So, when I was pregnant with baby A, and that was such a wild and hectic year, I just used the skein I had on hand for a future baby blanket. I didn’t know for sure when I bought it I would be using it for this purpose! I really like this yarn. I like the color and consistency. One of these large skeins can make an entire baby blanket, which is nice because I never seem to buy enough yarn for my projects–a more serious problem now that I don’t have a Michael’s nearby.
The nice thing about knitting a baby blanket for your own baby is that you get to knit, your hands stay busy, it feels productive, and with each stitch, you get to meditate on loving thoughts toward your baby, which is one of my favorite past times!
I started this blanket in spring 2019. I was unable to complete it before A’s birth. I was then unable to complete it for his first birthday. However, a few weeks after his first birthday, with about a week left before Christmas, with my grades submitted, and a serious need for some down time, I began to finish the blanket. I worked on it every night and stayed up late on Christmas Eve to finish it. That night, I had to tear out the last rows three times: once because I forgot how to knit, then purl, then reverse it, and once because I began the ribbing too soon, and once because I forgot how to cast off. I was rusty, but thanks to a few videos online, I was able to finish it, wrap it, and hop into bed by 12:30am.
This project also inspired me to make more blankets for my babies. The next projects will be twin sized blankets for when they graduate from their crib-sized bed, which hopefully won’t be anytime soon.
The Pattern: -Cast on 65 stitches. -Knit purl, knit purl, purl knit, purl knit until the row is finished. -Then reverse it: purl knit, purl knit, knit purl, knit purl until the row is complete. -Continue this pattern until you’ve got a few inches of a ribbed border. With this yarn, I like to make the border the length of one color, since the colors make stripes throughout the blanket. -Then, knit the rest of the blanket until the last few inches or so. -Finally, repeat the pattern from the beginning (knit purl, knit purl, purl knit, purl knit; then reverse it on the next row) to create a ribbed border for the last swatch of color again at the end.
If you’ll recall, in December 2019, I was part of a book gift exchange with a group of women who also had babies that year. I was gifted two books by one woman. The first I read and wrote about here: https://sherewin.com/2020/03/09/severance-by-ling-ma/. The second was Queenie by Candice Carty-Williams. Both were shockingly timely to 2020. Severance was about a global pandemic and Queenie is about, in part, race and racial injustice.
So, here’s my take on the book. The story immediately drew me in. It starts with some relationship drama, and I am always happy to be a fly on the wall to any and all relationship drama.
But, as the book progressed, I grew weary of Queenie’s antics, and I didn’t always have enough emotional connection to the story to be patient with her as she navigated her failed relationship, her abusive/borderline abusive sexual escapades, and sabotaged her career. Certainly there were reasons, and certainly we would grow to understand them, but I sometimes grew weary in the waiting. (This happens more and more with me when reading works of fiction.)
While her relationships with friends didn’t always resonate with me (which probably says more about my relationship to “friends” than about her depiction), her relationship with her family became the most interesting aspect of the book to me. Fortunately, that narrative builds and builds throughout the story to a nice conclusion. (Not nice as in happy or resolved per se, but nice as in well done.)
Overall, this piece has literary merit, is well done, if a bit too long. I hate to make the comparison, but it really does allude to the Bridget Jones’s Diary story. It’s a workplace romance starring woman who is a mess. It’s a hallmark of British Literature, and Carty-Williams carries it on and makes it her own in Queenie. The author artfully integrates trauma and politics, specifically the #BLM movement. I am glad I read it, and I think you will be too.
Since my ability to read for pleasure has been severely diminished since 2018, I’ve decided I’ll also keep a tally of children’s books that I read that I think are also worth reading in adulthood. For the most part, we read many, many baby books, but I’m also able to read a page or two of capital “L” children’s literature, and so I try to do that as I can.
First up is Stuart Littleby E. B. White. I had never read this children’s classics, and so I snagged it from a “Little Free Library” when I had the chance. It is the first “real” book I’ve read to my child. I read it page by page over the first two years of being a mother, with several months-long breaks in between. There were little images on every other page or so, and it, along with the text, was just enough to sustain my child’s attention for short periods of time.
This is a delightful book. It’s about a mouse named Stuart Little who takes himself far too seriously. He lives in New York City, but a few discomforts and experiences compel him on an adventure. He is both honorable and seriously lacking in accurate self-reflection.
It’s E. B. White, so the writing is perfection. Every bit of dialogue enriches the characters. The plot is simple. It’s a child’s book, but somehow the journey seems very authentic to real human experience. It’s a quick read (unless you’re reading it like I did) and well worth the time.
A bonus is that it also reminded me of my grandpa, whom I miss tremendously, who also wrote and told delightfully absurd stories of characters who took themselves too seriously.