Category Archives: art

Burnt Sugar by Avni Doshi

In the precious time between when the term begins and when the grading comes flooding in, I read Burnt Sugar by Avni Doshi. It’s an interesting and heavy book. I was really interested in the unique relationship that is depicted between daughter and mother. The lines of reality are blurred throughout, making the point that reality is fragile and based on a corroborated story shared by people.

I was interested in the setting, which felt foreign to me, but also familiar as so much of the daily tasks of living, eating, and interacting with others are shared across borders.

This book was heavier than what I need right now, but the reading was good, and I need that even more.

Here are some lines that I liked:

“My mother knew marriages were generally unhappy, but she was young and had not fully metabolized the idea that this would be her reality. She still believed she was special, exceptional and had thoughts that no one else did” (44).

“I tell her I am not sure what to do, that maybe I’ve lost my imagination./ She says she never thought my work required much imagination, that it was copying an image over and over again./ I explain that I mean another kind of imagination, the kind that invents a world where my work matters” (174).

“Is the sensation of receiving a kiss less pleasurable than that of giving it?” (212).

The House on Mango Street by Sandra Cisneros

One of this year’s “big reads” through the NEA is Sandra Cisneros’s The House on Mango Street. I read this in college and have lugged around a copy for about two decades. I decided it was time to read it again, and I’m glad I did.

my own well worn copy of The House on Mango Street

I remember almost nothing from reading it the first time. It truly is an excellent book, and I think very original, especially given it’s publication date (1984). I noticed that it seems more dated and even historical than the first time I read it. Her childhood happened in the early 60s, and that was 60 years ago! However, some things about childhood never change.

Rereading this book made me realize that I am now old enough to reread books, which I never did before. I’ve lived long enough now to have forgotten books I read in my early 20s. I’ve lived long enough now to gain completely new and different insights from some of the books I read in my early 20s. I was also an English major, and so I read a lot of books during that time! I find myself scanning my bookshelf wondering what other old gems could be rediscovered.

The Lais of Marie de France

The Lais of Marie de France are real bodice rippers, so to speak. You can see how these stories of ancient romance have influenced everything from Shakespeare to Rom Coms since. There is a strong sense of love and loyalty in each story. The same intensity of life and death love stories, like Romeo and Juliet, are played out repeatedly throughout the lais.

the library’s copy

I read through these relatively quickly, after learning about them from a dear one’s scholarship. First, I was looking for significance in fabrics and cloth. I also frequently thought about the fabrics having just read A Short History of the World According to Sheep and learning more about the wool and processes (and abuses) that went in to making these fabrics.

Eventually, I just got caught up in each story–the excitement and intensity of the love, the suffering, and the joy. (Though, as with most romance, the “ever after” is short changed, and I think most of us are left wondering how that part’s supposed to work.)

The lais capture an intensity that is unique to human love and courtship, and honestly, I think it’s a really intense thing worthy of our focus. The main characters aren’t being cool or dealing with their baggage. They’re just strong and perfect knights, who win all of their tournaments, and fair and beautiful women, who are kind and loving and good, so much so that a knight would sacrifice his life to her, a life that many other knights had tried taking many times before. That they are already married to someone else or in some way betraying someone else is a liner note.

These lais are over the top, sometimes to the point of being ridiculous, but they are entertaining. And, they have literary merit too, not only because of their rich history and staying power, but because, as I read them, I was also inspired, for the first time in a long time, to write a few poems myself!

Iep Jāltok: Poems from a Marshallese Daughter by Kathy Jetñil-Kijiner

Iep Jāltok: Poems from a Marshallese Daughter is a beautiful book of poetry by Kathy Jetñil-Kijiner. I don’t usually read a lot of poetry, but this one drew me in and held me there.

The place where I work has a relatively large population of Micronesian students. In fact, a summer program for work put this book on my radar, and I’m so glad it did. I find myself wanting to learn more about this population. From the book I read about the indigenous connection to place, language, racism, climate change, climate refugees, refugees from US nuclear testing, food, love, religion, womanhood, family, and more.

I found myself searching for plane tickets. Just how far away are the Marshall Islands?

Stuart Little by E. B. White

Since my ability to read for pleasure has been severely diminished since 2018, I’ve decided I’ll also keep a tally of children’s books that I read that I think are also worth reading in adulthood. For the most part, we read many, many baby books, but I’m also able to read a page or two of capital “L” children’s literature, and so I try to do that as I can.

First up is Stuart Little by E. B. White. I had never read this children’s classics, and so I snagged it from a “Little Free Library” when I had the chance. It is the first “real” book I’ve read to my child. I read it page by page over the first two years of being a mother, with several months-long breaks in between. There were little images on every other page or so, and it, along with the text, was just enough to sustain my child’s attention for short periods of time.

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our copy

This is a delightful book. It’s about a mouse named Stuart Little who takes himself far too seriously. He lives in New York City, but a few discomforts and experiences compel him on an adventure. He is both honorable and seriously lacking in accurate self-reflection.

It’s E. B. White, so the writing is perfection. Every bit of dialogue enriches the characters. The plot is simple. It’s a child’s book, but somehow the journey seems very authentic to real human experience. It’s a quick read (unless you’re reading it like I did) and well worth the time.

A bonus is that it also reminded me of my grandpa, whom I miss tremendously, who also wrote and told delightfully absurd stories of characters who took themselves too seriously.

Ladies Lazarus by Piper J. Daniels

I was late in ordering Ladies Lazarus by Piper J. Daniels, so I started reading quickly when it arrived. Then, I slowed way down because it was so good, and I wanted it to last. The book is that rare blend of beautiful language, poetry, insight, feeling, and social commentary. Blending the latter with the former requires a talent that few possess. Daniels does it deftly throughout the book.

ladies-lazarus-cover-web

Ladies Lazarus by Piper J. Daniels

Her explanation, experience, and insights into mental illness are unprecedented, and as I read, I thought frequently that this book should be required reading in the academic fields that deal with mental health. Her writing provides insights essential (and seemingly currently lacking) to the field.

The book adds feminist insights to the larger conversation. Her insights on being a woman, coping with assault, shaping one’s entire being around the threat and reality of violence are, again, unprecedented. Acute, accurate, informative.

The book is poetic, emotional, and beautiful. I especially found her depiction of love to be beautiful and true. Society forces an awareness, obsession even, with male to female violence from a young age, and, perhaps as a consequence, the author falls in love with the women who have been harmed, who have been murdered, and who have been taken their own lives. As a result, the reader feels the author’s love for all women–a love that functions authentically, but also as a life philosophy, a social commitment.

The reader does not get a tidy ending. The writer leaves Washington State for the dry, hot climes of Arizona. The last two chapters return more to love and poetry. The last two chapters seem like the next book. But instead, as a reader, I wanted a reconciliation with the dead souls who the reader has been holding in her heart. I also want the next book. I hope she’s doing us all a favor and writing it now.

Future Home of the Living God by Louise Erdrich

This is not my genre, but if Louise Erdrich writes an dystopic end-of-times novel, I’ll read it. While I haven’t read The Hunger Games, or even The Handmaid’s Tale, Future Home of the Living God seems to borrow from those of these themes and images. While I’m not well versed enough in the apocalypse genre to say for sure, I imagine that Erdrich’s work here does not expand the genre in terms of imagining what that world might look like, how it might function.

What I did love about the novel was that it tackled political issues and questions in ways that were artful and beautifully written. Erdrich seems to instantly and effortlessly create characters that are at once unique and familiar. She’s also just a master story teller, although there seemed to be some long scenes and plot points in the last third of the book that didn’t seem to expand the narrative. I trust Erdrich though, and perhaps on a second read, I would recognize the reasoning behind the plot in the last third of the book.

There were some great moments in the last third too though. For example, I loved how some of the characters evolved. I liked some of the surprises. I appreciated the commentary. I liked the way it ended.

Here were a few lines I liked:
The title, obviously. They don’t get much better than that: Future Home of the Living God

“An Announcement That Brought Incongruous Joy” (45).

“So do I love him at last? Child, I need him. It is hard to tell the two apart” (80).

A long section on how men smell (82).

“Where will you be, my darling, the last time it snows on earth?” (267).

Further reading:
Raids on the Unspeakable by Thomas Merton

Kateri Tekakwitha: Mohawk Maiden by Evelyn Brown

and possibly, The reason for crows : a story of Kateri Tekakwitha by Diane Glancy

Oranges Are Not the Only Fruit by Jeanette Winterson

Oranges Are Not the Only Fruit by Jeanette Winterson is my first book of 2018! I was slogging through another book for several weeks, before picking this up around the New Year and not really putting it down until I was finished.

I thought I’d read Winterson before, but I don’t think I have. I think I had her confused with Jean Rhys or something. Anyway, it’s a great book. It’s obvious, funny, and smart in ways that were accessible to me.

Here were just a few lines I liked:
“[S]he’d got rid of more smells than she’s eaten hot dinners” (33).

Needlepoint: “THE SUMMER IS ENDED AND WE ARE NOT YET SAVED” (40).

“I was not a selfish child and, understanding the nature of genius, would have happily bowed to another’s talent…” (50).

“…no emotion is the final one” (52).

“Time is a great deadener; people forget, get bored, grow old, go away” (176).

Further reading:
Goblin Market by Christina Rossetti:
https://www.poetryfoundation.org/poems/44996/goblin-market

Middlemarch by George Eliot

Idaho by Emily Ruskovich

Idaho: A Novel by Emily Ruskovich is an absolutely fantastic novel. And that’s coming from someone who’s had a hard time reading fiction for several years now. I’ve been the most critical reader, scouring the first 10, 15, 20 pages for a piece of dialogue to fall flat, for text that tries too hard, or for a lie. Normally, I’ll find a reason to set the book aside within the first few pages. Often in the first paragraph. (I hope my own readers are more generous.) I’ll admit that the first 50 pages of this book were slow for me, but I love Idaho, and I found myself wanting to spend more time in the state and, therefore, more time with the book. Every line, every description, every detail served a purpose. Nothing was wasted. There were endless revelations about the human spirit.

My struggled with fiction has had to do with plots lines that are too predictable (or intentionally unpredictable for no good reason), common tropes are overused, and characters are flat. As a result, if I do read fiction, it tends to be stuff with no discernible plot line. Idaho has a plot line. Very much so. But it is as artful as the text.

If you grew up in the Inland Northwest, if there are old pictures of you as a child standing in the back of a old Ford, a photo taken when you are covered in tamarack dust, stuck to you from the can of Coke you drank, while you are waiting while your parents stacked firewood into the back of the pickup, and smell of honeysuckle and chainsaw oil thick in the air, and then if you went to school in the Palouse, and spent summers high up in the Idaho mountains, a little worried about getting lost among the old Forest Service road, but thankful from the break of intellectual work, while you marked and hauled old logs to the truck to burn through the winter in a fireplace that would melt and permanently scar the skin on your forearm, and if you take every opportunity, every summer and spring break, to drive back to those empty Blue Mountains, and if you knew the boredom and insight of an isolated childhood in the rural Northwest, and if you think you’ve actually met Emily Ruskovich, been introduced in passing by a friend, an acquaintance, in Moscow, Idaho, while you were practicing yoga across the state line, or at the farmer’s market, or in the little shop, where you ate a coffee and bagel after having ridden your bike eight miles along the Chipman Trail. Perhaps she was a student, or maybe you two were alone in a used bookstore and shared a knowing glance, seeing that you are the same, both with freckles, red hair, and dark eyes, but you think you are different, but you are not so different, and you should read this beautiful, beautiful book that she has written.

Bluets by Maggie Nelson

I needed to read something artistic, and so I finally read Bluets by Maggie Nelson. I read it quickly. (It did not need to be read slowly.) It seemed like I’d read this book before. It reminded me of Coeur de Lion by Ariana Reines, but not as beautiful as that in terms of the sentence. It was beautiful, though, and smart–one of the best books I’ve read in the genre. I had little patience for the sexual aspects of the book. That’s me though. Lately, those inclusions seem cheap. I used to “get it.” Adding the sexual gave writing that perfect blend of raw and mystery. Anymore I only want to think about birds and botany.

Bluets - Maggie Nelson

image from wavepoetry.com

 

Lines I liked:

“My Thought has though itself through and reached a Pure Idea. What the rest of me has suffered during the at long agony, is in describable” (Mallarmé 2-3).

“Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal” (62).

“…the blue of the sky depends on the darkness of empty space behind it” (62).

“For some, the emptiness itself is God; for others, the space must stay empty” (86).

“…ask not what has been real and what has been false, but what has been bitter, and what has been sweet” (86).

“As a rule we find pleasure much less pleasurable, pain much more more painful that we expected” (87).

“She is too busy asking, in this changed form, what makes a livable life, and how she can live it” (88).

“Imagine someone saying, “Our fundamental situation is joyful.” Now imagine believing it…Or forget belief: imagine feeling, even if for a moment, that it were true” (89).

“When I was alive, I aimed to be a student not of longing, but of light” (95).

Words/concepts that inspired further study:

  • the male satin bowerbird
  • International Klein Blue
  • samsara
  • the jacaranda tree
  • the Tuareg
  • The Oblivion Seekers