I continue to be impressed by the work of the ghostwriters behind some of the memoirs produced by key famous people recently. These writers effectively capture the famous figure’s voice, add genuine insight to their lives, and seemingly work under impossible deadlines, and that was the case with Britney Spears’ book The Woman in Me. The first half of the book is really interesting and insightful. Readers will likely learn things about Spears’ childhood that were previously unknown. The context helps add insight to the performer’s experiences later on.

What I appreciate about some of these ghostwritten books written about famous people is insight into the individual’s character and experiences, and what that says about humanity and culture. In the case of Britney, it’s really tragic just how she was used by everyone and what that says about our culture. The book lends some insight into that dynamic in ways that just don’t get captured in popular media (try as they may).

If the first half of the book is good, the last half or third of the book drags on a bit. The conservatorship seems like a thirteen-year fog, and that’s what readers feel too. There were relationships, but they lacked much depth and development (both in the book and perhaps in real life).

I wanted the conclusion to really sing with mind blowing insights into the human spirit, but that’s not real, I suppose. Instead, readers get the sense that Britney is still just surviving in many ways. Adding the context of her recent divorce, which is not mentioned in the book, readers can see that Britney is still figuring it out. It’s not perfect, or pretty, but she is alive, and that is worth celebrating.

(It is also true what they say about Michelle Williams–she really did a phenomenal job with the audio book.)