Tag Archives: popular fiction

Separation Anxiety by Laura Zigman

Leave a reply

My second real “pop” book of this year, after Modern Lovers, is Separation Anxiety by Laura Zigman. If I recall, I found this book referenced on Instagram, I added it to my Libby list, and, lo and behold, had time for it when my turn came up on the app. This is a summer read? A beach read? I’m not really sure of the genre, but as popular books go, it was pretty good, had some good depth, unexpected twists, and the writing was solid.

I found the main character to be a little too cold, shutdown, and removed in a way that did not feel like great “main character energy,” but the rest was pretty good. I also found the conflict between the central couple to be a bit unrealistic. The guy seems…pretty decent actually. So, why is the main character so repulsed by him? Why are they separating? The reason is stated, but never quite believable. I think there’s sort of an East Coast cultural difference may be at play here.

I appreciated the themes and the artful movement through scenes and the way Zigman built clear, and direct meaning throughout. I found some of the concepts to be repulsive, but in the end, none of it was gratuitous. I don’t think it is a spoiler to share that the main character begins wearing her dog in a baby sling, and, honestly, at the end, I’m still not sure if I should be concerned for this fictional dog’s wellbeing. And there’s more of the same throughout.

Where the Crawdads Sing by Delia Owens

Leave a reply

Where the Crawdads Sing by Delia Owens was (is!) a bestseller, very popular, and was made into a movie. It is also not the kind of book I typically read. However, more than one person recommended I read it based on a project I’ve been working on, and so I did. While I used to listen to books on CD (and even tape!) when I had long commutes, this is the first book I’ve listened to via an app, and, for the most part, I really liked the experience. Unfortunately, much of what I read is not available on audio, and I usually need to mark stuff up for my own writing and scholarship. So, I’m not sure how much literature I’ll actually be able to consume in this way, but it feels good to have the option. Sometimes.

As for this book, the first quarter is really quite good, gripping, some lovely imagery, and some complicated ideas that go beyond what’s portrayed in a lot of popular fiction. Usually by the first line or two, I get a sense of plot-based genre fiction, but this one kept up to muster well beyond the first few lines. In fact, some of the insights were truly profound and beautifully written (as far as I could tell via audio).

However, near the end, there is a lengthy trial, and, let me just say that I find trials to be about as interesting as football games, which is to say: usually, not very. Using the lawyers and police people to work through the ideas and the drama of the crime was just not my cup of tea. Of course I still listened through to the end and with interest.

There’s a lot of plot and tension built around who will sleep with the beautiful “marsh girl” and then later, whodunit, and I found myself wishing that the book could go beyond these relatively common tension points. In some ways it does, but it also doesn’t break with plot form. If it had in the last quarter of the book, like if Owens had really done the unexpected, I think it could have elevated this book to capital “g” great literature. As it stands, the author made something that would be a bestseller and would make a lot of money, and with writing that she could be proud of, and that’s very nice too. And entertaining!