Category Archives: love

Bluets by Maggie Nelson

I needed to read something artistic, and so I finally read Bluets by Maggie Nelson. I read it quickly. (It did not need to be read slowly.) It seemed like I’d read this book before. It reminded me of Coeur de Lion by Ariana Reines, but not as beautiful as that in terms of the sentence. It was beautiful, though, and smart–one of the best books I’ve read in the genre. I had little patience for the sexual aspects of the book. That’s me though. Lately, those inclusions seem cheap. I used to “get it.” Adding the sexual gave writing that perfect blend of raw and mystery. Anymore I only want to think about birds and botany.

Bluets - Maggie Nelson

image from wavepoetry.com

 

Lines I liked:

“My Thought has though itself through and reached a Pure Idea. What the rest of me has suffered during the at long agony, is in describable” (Mallarmé 2-3).

“Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal” (62).

“…the blue of the sky depends on the darkness of empty space behind it” (62).

“For some, the emptiness itself is God; for others, the space must stay empty” (86).

“…ask not what has been real and what has been false, but what has been bitter, and what has been sweet” (86).

“As a rule we find pleasure much less pleasurable, pain much more more painful that we expected” (87).

“She is too busy asking, in this changed form, what makes a livable life, and how she can live it” (88).

“Imagine someone saying, “Our fundamental situation is joyful.” Now imagine believing it…Or forget belief: imagine feeling, even if for a moment, that it were true” (89).

“When I was alive, I aimed to be a student not of longing, but of light” (95).

Words/concepts that inspired further study:

  • the male satin bowerbird
  • International Klein Blue
  • samsara
  • the jacaranda tree
  • the Tuareg
  • The Oblivion Seekers
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The Doulas: Radical Care for Pregnant People by Mary Mahoney and Lauren Mitchell

Awhile back, a colleague in the field of feminist medical rhetorics recommended The Doulas: Radical Care for Pregnant People by Mary Mahoney and Lauren Mitchell (though it must not’ve been too long ago because this book was just published in 2016). I finally got around to read it in preparation for a presentation I am giving on rhetorics of consent and advocacy in childbirth at a conference in March.

First, notice that the title is “pregnant people,” not “pregnant *women*.” We know now that it isn’t just women who get pregnant and/or give birth. I emphasize pregnant and/or give birth because this books also acknowledges that pregnancy ends in many different ways–some more socially acceptable than others.

For the most part, this book is politically sensitive to  the wide range of experiences people have as it relates to pregnancy and caring for the pregnancy and/or childbirth experience (aka doula work). Doulas provide people with support, especially in situations that are less socially acceptable. Of course, there are also doulas who hold intense, open biases. Some won’t work with gay couples (the legalities of which I question), and some are vehemently pro-life. It’s been my experience, though, that, in general, the doula community tends to be quite open to, and advocates for, variations of the pregnancy experience. (Still, the doula interview is crucial because pregnancy and birth work is incredibly political and contentious.) Unfortunately, the current cultural climate is one that is still obsessed with policing women’s bodies. Anything from choosing abortion to opting out of an epidural can be, and is, met with resistance.

Another approach I liked from this book is one of narrative medicine. Ina May Gaskin is notorious for writing childbirth guides that are full of childbirth stories. These stories work to help teach the reader about the many different healthy and normal experiences people can have in childbirth. This is important because when there is a very narrow definition of “normal,” and variations are treated as “abnormal,” interventions become the norm, and interventions too often mean trauma, surgery, injury, delayed bonding–the list goes on.

Back to the book: for my own purposes, I didn’t need or want to read most of the content. I wanted this to be a more theoretical work, but it mostly wasn’t. I also had a hard time understanding the relevance of some of the content.

Here are a few lines I liked (from the intro and forward because that’s where the book was most theoretical):

-“These doulas call it “story-based care” because they hear many stories of people for whom some choices are straightforward, while others offer extreme complexity” (x).

Since becoming a doula, I have been shocked by the number of *high stakes* choices that people have during pregnancy and childbirth. Navigating those choices and feeling empowered in through the process has been one of the most important aspects of my job as a doula.

-“Racism can distort a birthing or adoption experience. Transphobia can lead to the denial of vital healthcare. Prejudice against immigrants can divide families through deportation. Misogyny can reduce pregnant women to walking wombs without rights” (xv).

-“[Doulas] don’t sky away from naming oppressions–white supremacy, colonialism, xenophobia, homophobia, transphobia–yet they are not there to preach, but to serve” (xv).

Sure, some doulas might preach, but one unique aspect of this type of work is that, for doulas, activism is in the work–making political statements through actions, through work within the institutions and with the people most affected.

-“While much feminist and social justice activism was taking place online, the doula movement allowed activists to connect face-to-face with people confronting the realities of what the “spectrum of choice” really means” (xxi).

-On people during pregnancy and childbirth: “Worse still, they suffer the loss of personal agency as decisions that should be private become politically and bureaucratically charged” (xxi).

-On doulas: “People frequently refer to us as “advocates.” While we would not argue that point, we hope this book will show you how advocacy as a doula looks different from advocacy in other realms. Often it simply means this: we are “holders.” We hold space by creating safe, comfortable environments where our clients can be heard” (xxii).

-“Our practice as doulas is a daily expression of the union between compassion and advocacy” (xxii).

-“Though understanding systemic oppression is crucial to the way we approach doula care, we believe that individual stories have the ability to pierce the veil covering systems that affect millions of people; they are unique but universal” (xxiv).

-“So much of doula work is that transference of story and the transference of emotional burden that goes with it” (xxvi).

The Long Loneliness by Dorothy Day

As usual, I’ve had a hard time finding the right thing to read lately. I want something that’s light and easy–a break from difficult scholarship. But, I also want it to be substantive. The Long Loneliness by Dorothy Day was the perfect solution during the holiday break. First of all, I had to read it with a title like that. (When I saw her face on the cover, I also knew I had to read it.) Secondly, I am always fascinated with and inspired by women who are doing things a little differently than the status quo, and Dorothy Day certainly has. The book is about her experience with community and the sacrifices she’s made in pursuit of her beliefs about the best way to live.

image from amazon.com

The first two-thirds of the book was of the most interest to me personally. In the first third of the book, she writes extensively about her childhood, about her friendships, her family life, and the reader can see the subtle ways these experiences influenced the choices she made later. Her descriptions of various little girls she befriended seemed tedious at times, but I think it helped make her larger point–that these connections and interactions we have with people are the stuff of life and far from inconsequential.

Next, she wrote about being a young women, her unconventional “marriage,” the birth and joy of her daughter, and the decisions she made to convert to Catholicism. In this section, I was deeply interested in her relationship with her partner and her response to her baby. I identified much with those very human experiences, even though I haven’t had them myself exactly.

The last third dragged on and I had to force myself to finish. I didn’t identify quite as strongly with her decision to convert to Catholicism. Like much of her thinking and decision making, as a reader, I sometimes had a hard time understanding her motivations. She’s very matter of fact about everything, and I found myself responding, “Yes, but…” That said, I love her unapologetic descriptions of joy and love earlier on, and I don’t need her to explain “why.” Still, the social activism, the writing, and the experiences with various people are a part of her story, but I was less interested, in part, because it was less about her and more about them.

Here are some insights I gained from reading the book. Day is unfaltering convinced that we must live together. After living alone for the bulk of my adult life, I am feeling ready to not live alone. I have felt loneliness and fear–something that was quite rare for me throughout my twenties. That’s fine. I was pursuing other things. Now I’m in a new stage, and I want to live in meaningful relationships. I have a much stronger urge to connect to other people and invest in them. In this way, Day’s message really resonated with me at this time.

Here are a few lines and ideas worth further consideration:

  • One hundred years ago, there were free medical clinics. If you were not poor, there was also affordable medical clinics that were a little nicer.–I can’t imagine how freeing it would be to go through life knowing that, should a major medical event occur, you could go on living without being forever indebted to a financial institution. We are living in fear or modern slavery.
  • Much of Day’s life’s work is in writing and writing for The Catholic Worker, and she understood what I am only being forced to understand now, which is just how crucial freedom of the press is and how important it is to communicate with the masses in this way.
  • “We cannot love God unless we love each other, and to love we must know each other. We know him in the breaking of bread, and we know each other in the breaking of bread, and we are not alone anymore” (285).
  • “We have all known the long loneliness and we have learned that that only solution is love and that love comes with community” (286).

By the end, I sort of just wanted to rise with the sun, and garden and bake bread, and pray and read and meditate, and wake the next morning to do it all over again.

last summer

At the end of each year, I update the last of the pictures from my phone that I want to add to the yearly album I keep on Facebook–this year labeled “2016.” Each year, I scroll back through the photos and reminisce about the previous year. This time I came across a few photos of the gardening I did last summer, and I thought I would share here–an update to the “gardening” post I did at the beginning of the summer.

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flowerbed near the end of the season

Plants that struggled:
The zucchini. This poor little thing was transplanted at least twice, and it just never succeeded. I also think I crowded it, which didn’t help–that, plus the cool summer and the somewhat shady location meant this little plant tried to bloom, and made a few tiny zucchinis, but nothing much.

The hostas. I’ve had lots of good luck with my “sum and substance” plant, which I’ve written about here, here, and here. When a hailstorm destroyed my big hosta for the season, I was missing those big, beautiful leaves. So, I bought and planted more. Many more. But, they never seemed to flourish. I’m hoping they’ll pop up in the spring for a fresh start.

The honeysuckle. This plant might’ve been crowded, and I’m hoping it will flourish in the coming year, but it promptly lost it’s petals and was nothing more than a few fronds of leaves for the entire summer.

The coleus. I want to like coleus because all of the garden gurus seems to love it, and it’s a splash of color, and yadda yadda yadda, but they don’t really speak to me, and anyway this year’s coleus got leggy, couldn’t stand even the mildest cold, and then died.

Plants that thrived:
The sunsatia lemon nemesia hybrid. I didn’t really want to like this plant because it’s a hybrid, and I tend to like traditional plants that have stood the test of time, but I have to admit that this plant was perfect for last summer’s conditions. It bloomed all summer and offered a bright burst of color to the flowerbed.

The strawberry plants. These hardy little plants had bright green leaves, sent out feelers, and made lovely berries (that the birds and grasshoppers usually got to before I could), despite a rough transplant. The little berries were tasty, and I’m hoping they return next year, even bigger and better than before.

The yarrow. There was already some yarrow in this flowerbed when I began, and so I planted more, and sure enough, this hardy herb did just fine. They also inspired some nice photos!

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pink yarrow

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yellow yarrow

Plants that are doing okay:
The dianthus. This is a hardy plant, and I think it will thrive next year, but this year it was completely average looking.

The pansies. These are cold hardy, and they’re going to thrive here, but they weren’t very inspiring this year. I’m sure I’ll be grateful for them in the spring when they’re the first thing to pop up.

The black-eyed susan. This is another plant that should thrive here. They didn’t do much last year. They plant wasn’t very full. They bloomed. Maybe next year they will do more.

Plants from container gardening:
Thanks to watering help from my Very Generous Neighbors, I also enjoyed several months of delicious zucchinis and tomatoes as seen below:


Right now, it’s the middle of winter. The temperature is -8, and there’s a windchill that’s making it even worse. Meanwhile I am dreaming about sun-warmed soil, and fresh chard, and garden vegetables, and raspberry bushes too, of course.

2016: the year in review

My 2016 “best nine” according to IG.

2016 was a whirlwind year. I loved. I worried. My heart shattered. I got sick. I figured some things out. I remembered “authentic self” stuff that has helped me re-engage with my values and interests. And so I got better at being me. I worried some more. I got better. I loved.

Now, as with most December 31sts, I feel quieter, more restful, more peaceful than celebratory, or loud, or exciting. These are long, cold days. As a species I think we’re supposed to be lying low, eating root vegetables, and conserving energy to get through winter. Still, in a little while, I’ll probably pull on my giant fuzzy snow boots and be with the smiling, happy people.

In 2015 I traveled. I felt blocked creatively, and so to occupy myself, I tried to say yes to all of the people I loved, and even liked, and ended up making a few long road trips and even made a solo detour on a trip to visit my best friend and ended up seeing more of the Oregon coast than I’d ever seen before and felt small next to the tsunami warnings and did wheel pose in the warm sand with my mom, whom I love so much.

I felt like my urgent travel mode was coming to an end in 2016, but I still ended up traveling a lot. I flew to Louisiana. In February, I road tripped back to Utah through Texas, New Mexico, and Colorado (in the snow!). Then I flew to Houston for a conference that ended up being a good bonding experience with my colleagues, even though I was also really emotionally raw during that trip. I made a quick trip home for my nephew’s birthday (a date I rarely get to make because of my work schedule). Later in the month, I attended another conference in Atlanta. The conference was great, but the trip felt a little solitary. When school finished up, I took off to the high mountains of Idaho, and then made my annual trip to Oregon, came back to Idaho, and then I did another quick trip to Utah.

Before school started, I road tripped to Phoenix by way of the Grand Canyon (a first for me!), Flagstaff and Sedona. In Phoenix I ate some of the best pizza of my life, drove on to the Saguaro National Park outside of Tucson, where I had last been 15 years earlier on my way to a school trip to Mexico. That trip, and the saguaros, left an indelible mark on my psyche, and my return to them did not disappoint. After having my face melted off by a lovely little jazz quartet, I went on to Las Vegas, where I ate at the Peppermill because it’s iconic, and I had recently seen Jerry Seinfeld interview George Wallace there for his show.

After school started, I did a quick long weekend in Seattle to visit the loveliest of people, where I felt the humid, highly oxygenated air wash over me, and after that I went back to Las Vegas for a nice little conference that also felt quite solitary, and after that I went to San Diego for another conference, but this time I also got to walk along the warm California beach and see some of the city and just detoured (quite) a bit in general.

So, there was a lot of travel, and I was grateful for the good company I was able to keep, and I felt highly motivated at times, editing, grading, book reviewing, and proposing all manor of scholarly work. I also rested. I ate tomatoes and zucchini that I grew myself. I knitted, and I read, and I put seeds out for the birds. There’s more of course, but for now, this is probably all I need to say about 2016.

round 5: knitting a baby blanket (with pattern!)

Through the winter months, on road trips from Utah to Louisiana and sitting on couches in Oregon with family, I knitted this baby blanket. It’s one of my favorite blankets to date (and I know I keep saying that), but I’m getting better at the knit stitch, and this time the yarn also made a huge difference. I used “Ocean” by Paton Colorwul, which is 100% wool, and I absolutely loved it. Wool yarn is expensive, and it can be scratchy, but when it’s done right, no other yarn compares. As I am wont to do, I ran out of skeins and had to frantically track down the last one from a Michaels across the valley. I’ve been trying to be more careful about buying skeins with matching lot numbers, but when you run out of yarn, you aren’t left with many choices.

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close up of knit stitch in “Ocean” by Paton Colorwul

The blanket was finished just in time to serve as a gift to a friend who gave birth to her son last month. I have identified somewhat with her journey to motherhood (i.e., she’s had love, life, travel, education, and a career before she very actively chose motherhood), and so I liked giving her an extra special gift.

The Materials:
-6 skeins of “Ocean” by Paton Colorwul
-Knitting needles, US 10.5

The Pattern:
-Cast on 76 stitches.
-Knit purl, knit purl, purl knit, purl knit until the row is finished.
-Then reverse it: purl knit, purl knit, knit purl, knit purl until the row is complete.
-Continue this pattern until you’ve got a few inches of a ribbed border.
-Then, knit the rest of the blanket until the last few inches or so.
-Finally, repeat the pattern from the beginning (knit purl, knit purl, purl knit, purl knit; then reverse it on the next row) to create a ribbed border again at the other end.

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nearly finished baby blanket

The finished product should be rectangular, with a ribbed border at each end. I’m getting better at making even stitches, and so the wobbly edges of my previous blankets are starting to disappear (though not entirely).

My idea for the ribbed border on the ends was actually difficult to keep track of. There is an easier way to do ribbing, but I wanted the ribs on this border to be a little thicker. Normally, I like very absent minded knitting (for which baby blankets are perfect). But, these borders were knitted and torn out a few times before it was all said and done. It still ended up a little uneven in places. The take away: if you’re looking for an easier border, there are easier patterns out there. If you’re looking for the perfect yarn for a baby blanket, look at the Paton Colorwul selection.

Willfull Disregard by Lena Andersson

At last I’ve found a book that I really, really like. (!). It’s Willful Disregard by Lena Andersson, and I can’t remember how I found it, but I’m very glad that I did. I read it quickly because it’s a library book, and I’m at the end of summer semester, and so I’m busy grading, but also busy getting ready to hit the ground running, which is what I do every summer since adulthood and even now in order to escape my current city and state. (Gorgeous state. Currently insufferable.) So, I only had a week to read this thing.

image from amazon.com

When I first learn of the title, I knew Willful Disregard was going to be my kind of novel. It is funny and smart and good in exactly the way that title is funny and smart and good. It’s the kind of book that makes me glad to learn that the author (Lena Andersson) exists in the world. It gave me hope for humanity.

It’s funny, but it’s also devastating. It captures the analysis and the over analysis and the helplessness of unrequited love. It captures how long it takes. It captures the intense meaning read into every single event and adverb and sideways glance. You think you’re better and smarter than all of this, only to see (years later with the clarity of hindsight) that you were insane, that your precious friends and onlookers were gentle with your…willful disregard of all evidence and reality suggesting otherwise than your well laid plans, intentions, and interpretations.

And even if you have been strong enough or numb enough to have never fallen into this type of stupid, full-body kind of love, you’ll probably still enjoy the deep insights into humanity, the smart philosophizing, along with mocking pretension that Andersson offers up in this novel. It’s her fifth book and first translated into English. With any luck, we’ll get more from her.

Crazy Brave by Joy Harjo

I read this book almost entirely while lying in bed, while falling in love. Joy Harjo’s a fixture in poetry and literature. Before now, I’d only ever read a poem or two here and there, but I’d never really gotten into her work…that is until I read her memoir, Crazy Brave. It was one of those books that I started reading in a bookstore, and then read a chapter or two from the library, and then finally bought my own damn copy and finished it at home…while lying in bed. I love this book.

image from amazon.com

Harjo is mostly known for her poetry. I don’t enjoy reading a lot of poetry, and so that’s why I haven’t been very familiar with her work. After reading and loving Crazy Brave, I read She Had Some Horses, which is also beautiful, and I love it, and it’s poetry. It’s a collection I see myself returning to.

As for Crazy Brave, what I love about the book is how she captures a creative, feminine life experience that I (mostly) really relate to. It’s soulful. It captures pain, and specifically women’s pain, in a profound way. It shows us another way. It does so in poetic prose–she’s a poet after all.

This is from the back cover of She Had Some Horses, but I think it pertains to all Harjo’s work: “If you want to remember what you never listened to & what you didn’t know you knew, or wanted to know, open this sound & forget to fear. A woman is appearing in the horizon light.” ~ Meridel Le Sueur.

And then I saw her picture and remembered that maybe I met her. Or maybe I heard her read once. She is familiar to me. Her name. Her face. Her work. And yet I only really found her work now, when of course I needed it most.

I was captured throughout the entire book, but  by the end, I was a little lost: WHAT DOES IT ALL MEAN?! I wondered about the title: crazy brave. Now I think I can say that the larger message was, for me personally, a message to women to be brave, an admonition that it will be crazy, and you will be crazy, and you will be brave, and that is life.

Part of this is about surrendering to the flow of the river, instead of fighting against it, using the strength of the current to pursue yourself, but also acknowledge or accept that the river will be violent, and it will wound you deeply, and it might kill you, and it might lull you to sleep, and part of this we can control, and part of it we cannot control, and this is the wisdom we gain from being in the river. I am reminded of the time I went underwater in the Colorado River, the immense crushing noise turned warm and quiet and then I emerged. Part of this book is about acknowledging fear, working around it, using it, but not being controlled by it. I left the book thinking I should do what I must do before the river does it for me, even as the river does it for me.

Some of the words I loved:

“Yet everyone wanted the same thing: land, peace, a place to make a home, cook, fall in love, make children and music” (19).

“Because music is a language that live sin the spiritual realms, we can hear it, we can notate it and create it, but we cannot hold it in our hands” (19).

“In the end, we must each tend to our own gulfs of sadness, though others can assist us with kindness, food, good words, and music. Our human tendency is to fill these holes with distractions like shopping and fast romance, or with drugs and alcohol” (23).

“Water people can easily get lost. And they may not comprehend that they are lost. They succumb easily to the spirits of alcohol and drugs. They will always search for a vision that cannot be found on earth” (25).

“They continue to live as if the story never happened” (43).

“Our  heartbeats are numbered. We have only so many allotted. When we use them up, we die (52).

“All of these plant medicines, like whiskey, tequila, and tobacco, are potent healers. There’s a reason they’re called spirits. You must use them very carefully. They open you up. If you abuse them, they can tear holes in your protective, spiritual covering” (77).

“I noticed a marked change in the quality of light when we made it to New Mexico” (83).

“Each scar was evidence that we wanted to live” (90).

“I told Lupita I wanted to paint, to be an artist. She told me that what she wanted was someone to love her” (102).

“I was given the option of being sterilized” (121).

“I believe that if you do not answer the noise and urgency of your gifts, they will turn on you” (135).

“We were in that amazed state of awe at finding each other in all the millions and billions of people in the world” (143).

“Her intent made a fine unwavering line that connected my heart to hers” (146).

Hunger Makes Me A Modern Girl by Carrie Brownstein

First, Hunger Makes Me a Modern Girl by Carrie Brownstein made me incredibly nostalgic for my graduate school in creative writing at Bellingham, Washington. It made me grateful for my best friend, whom I met there. It made me grateful for the training I received there. It made me grateful to be part of the contagious creative energy of that place.

image from nytimes.com

Sleater-Kinney is a group composed of women. With some privilege. Who were highly intellectual. And well-educated. They understood the conversation, their conversation, the conversation that was happened around them, the way everyone was getting it wrong, or right. Beyond all that, they were a band making good music, and I think that’s an important takeaway from the book, which is worth owning, by the way (and I don’t say this lightly as someone who hates “things” and loves the library).

There are some lovely lines, some deeply insightful lines. I loved the descriptions of fanzines and the embarrassingly long letter writing of yesteryear–something that generations with access to the internet will never understand.  And there were great vocab words (metonym, diffidence, jocose, internecine, lugubrious, interstices, peripatetic)! The book was informational. It was moody. The end is triumphant, while simultaneously sucking the air out of the room because that is life no matter now stupidly depressed or optimistic we are in our tender little human brains.

I can’t tell you how important it is for me to look to female artists, who aren’t trying to be particularly female, nor artist, nor political, but are all of these things and end up providing a path, an option, an expression that is contrary to the rest of it–the blinding, crushing, deafening roaring messages. The dominant voice is so overpowering that you feel all alone thinking it’s wrong, they’re wrong. You search desperately for some whispered message, some quiet, lovely beat, an undertow more powerful than the surface waves, a person across the way who is looking at you and nodding her head to the same lovely beat.

Carrie Brownstein and Sleater-Kinney–they’re looking back and me and they’re nodding.

Here are a few lines from the book that I loved:

  • “[T]o be a fan is to know that loving trumps being beloved” (3).
  • “It is difficult to express how profound it is to have your experience broadcast back to you for the first time, how shocking it feels to be acknowledged, as if your own sense of realness had only existed before as a concept” (55).
  • “Books grounded me, helped me feel less alone” (115).
  • “A nomadic life fosters inconsistencies and contradictions within you, a vacillation between loneliness and needing desperately to be left alone” (150).
  • On the difficulty of relationships: “When do you ever get to be alone? To think, to read, to reflect, to not have to be “on,” to do nothing to just…be” (152).
  • I feel this in regards to teaching: “An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness” (166).
  • “In the end, all I could manage was the kind of shoulder dance moms do when they make shrimp scampi in the kitchen while drinking white wine and listening to Bruce Hornsby” (175).
  • “If you’re ever wondering how sad I was…you would know by the fact that I won the Oregon Humane Society Volunteer Award in 2006” (226). – I have my own similar life markers that look like success, but are mostly a reflection of a deeply sad time in my life.
  • “If the fake crow were looking down on us, he would see a woman in her thirties, living alone, jobless and aimless, with animals to fill the space and to patch the holes” (228). – It’s taken herculean strength for me not to patch the holes with innocent mammals.

Modern Romance by Aziz Ansari

Oddly (or appropriately) enough, an ex-boyfriend recommended Modern Romance by Aziz Ansari. I like his work from Parks and Recreation, so I finally got around to reading it over the Christmas break. This is probably a useful read for anyone who didn’t settle down in their early twenties–which, at this point, is most of us. In my early twenties, I was getting all the degrees, forging deep friendships, and yes, “dating,” as well as staying in a few serious relationships. Mostly, I was writing and making art. I was not pursuing marriage.

image from amazon.com

I do not look back on the dating eras with any fondness. So, it was validating to read Ansari’s take on modern dating. In his book, he uses a very soft social science approach and couples it with his good humor. Pairing stand up with social science and commentary is actually pretty amusing, if not hard hitting. Oh, and when you’re reading it, feel free to skim through large swatches of some of the repetitive stuff through the middle.

Ansari’s parents are Indian and, like most Indian couples, have an arranged marriage. Like many people in arranged marriages, they report being very happy. Of course, on the contrary, in the US, we’re all looking for soul mates and have relatively low levels of happiness in marriage. Ansari’s exposure to both US and Indian cultural attitudes toward marriage gives him an interesting perspective.

Here are some of the main take aways from the book: technology has expanded our options for coupling, which means we have the potential to find a better match, but it also means we’re paralyzed by options; we’re not great at intellectualizing what we actually want in a partner (i.e. we think we know what we want, but we’re often wrong); the vast majority of men and women pretty much dislike dating and just want the relationship.

This last one was a surprise to me. I mean, I hate dating, sure. But, I would hate dating. I’m an introvert, which means I don’t love going out all the time. I don’t *love* people, which means I don’t particularly love meeting new people. I’m very sensitive, which means the sizing up, and the texting, and the strangers, and the whole process tends to be a bit too soul-violating for my constitution. And so in the end, when it comes to dating, I’m very much just like, “Forget it. Everyone please fuck off.”

But then, eventually, you find your person who gets it and gets you, and it’s all worth it. Until then, it sucks, and it surprised me that most other people also think it sucks. Before reading this book, I thought most people were out there playing the field, meeting new people, and having a great time doing the things I typically don’t enjoy doing. Evidently, most other people don’t enjoy it either.

Here are a few gems from the book:

On previous generations: “People were marrying neighbors who lived on the same street, in the same neighborhood, and even in the same building” (14).

Things have changed: “Until they got married…women were pretty much stuck at home under fairly strict adult supervision and lacked basic adult autonomy…For women in this era, it seemed that marriage was the easiest way of acquiring the basic freedoms of adulthood” (18).

On the prevalence of FOMI (fear of missing out): “…what I see at bars today, which is usually a bunch of people staring at their phones trying to find someone or something more exciting than where they are” (27).

On the influence of technology: “That’s the thing about the internet: It doesn’t simply help us find the best thing out there; it has helped to produce the idea [emphasis mine] that there is a best thing and, if we search hard enough, we can find it” (125).

This and most other social interactions: “I started to despise the bar scene. I had experienced every single version of these nights. I knew all the possible outcomes, and I knew the probabilities of those outcomes” (210).

On passionate vs. companionate love: “Passionate love always spikes early, then fades away, while companionate love is less intense but grows over time…It is love, just less intense and more stable. There is still passion, but it’s balanced with trust, stability, and an understanding of each other’s flaws” (215).

This basically sums it up: “We want a lifelong wingman/wingwoman who completes us and can handle the truth, to mix metaphors from three different Tom Cruise movies” (239).