I read Elena Ferrante’s The Lost Daughter immediately after finishing My Brilliant Friend. This is another excellent, although perhaps more literary, piece than the first book of the Neopalitan Quartet series.
The Lost Daughter, also referenced in the Mother’s book, is about the darker side of motherhood, in a way that I found entirely relatable. Too often, critical books on motherhood are too critical, too negative–children are too exhausting, it’s not worth it, end of story. However, I truly appreciate Ferrante’s more nuanced approach. In The Lost Daughter, she turns a magnifying glass on the difficulties, violences, and burden of motherhood, the complete selfless turning over of the self that is required of the job, an ask that is far too demanding and made worse by societal constructs around motherhood and a general lack of support.
However, instead of dismissing the mothering journey altogether, as too exhausting, too violent, Ferrante acknowledges the duality of the role, the positive life changing aspects of it–the more complicated relationship it can foster in the self in regards to love, compassion, nurturance, service, and ambition. The little girl in The Lost Daughter is depicted as both angelic and beautiful from a distance, but up close is whiny, snot-nosed, crusty-eyed, and clawing, swatting, and pinching at adults around her. This is the reality of living with and loving a child. They are, each and every one of them all at once both transcendently perfect and also demanding, selfish, and incidentally cruel. To be a mother is to live within this duality constantly throughout the day. It’s complicated and beautiful and ugly too.