My second book of the year is Hannah Coulter by Wendell Berry. I’ve heard of Wendell Berry before, as a respected author of natural and rural places, but this is the first book from Berry that I have read. I guess maybe I thought he was a poet, but this work, and his other books, are very much prose!

After reading, I can say that Berry walked a fine line between uncomplicated narrative, nostalgia, and truly solid writing. Normally, excellent prose is not deeply nostalgic (even cheesy?), but Berry goes there and (mostly) pulls it off.

Hannah Coulter is the narrator, and in the book she is simply retelling her life story. Her life story is one of an impoverished farm kid, then a farmer’s wife, living in rural Kentucky, born around 100 hears ago. Her story lasts through the turn of the 21st century, and the book was published in 2004.

In the book, through Hannah’s narrative, Berry captures a unique culture, experience, and perspective. Through Hannah’s eyes, readers follow a changing farmscape, a changing sense of community, and a changing (and probably worsening) world.

Coming from a small, rural community myself, I thought Berry’s depiction of small-town life was deeply accurate, and he captures the best, most wonderful aspects of a strong community–one that many people never experience.

Of course, there are also downfalls to rural, small-town living, and many are desperate to escape the confines. (The same is true, in reverse, of urban living too though.) Berry captures none of the contrary argument and focuses only on the benefits of rural living. In my mind, there is a place for this narrative in the world, and Berry gets to tell it.

Readers may marvel at the seeming poverty, the scrimping, and the hard work involved in Hannah’s life, the lack of technology, the close sense of a very large and dependable community. It’s an experience that many no longer have, as they are removed from extended families and generations-long relationships.

I’m never quite sure what to think when an author’s main character is opposite gender of the author, and I do think something is usually lost, and that may be the case in Hannah Coulter as well. This book and this content isn’t for everyone. But what is? It’s a slow, intentional read, uniquely structured, beautifully written, and appreciated by readers like me.