The Best American Short Stories 2024

My creative writing classes keeps me reading The Best American Short Stories each year, but looking back through my notes, it appears that I don’t typically write about it, which is a shame! This year’s story collection was edited by Lauren Groff, who I have been reading and enjoying lately. (Though honestly I typically don’t have a sense of an editor’s taste from one year to the next.)

This year’s collection was epic and stunning as always. In my opinion, these anthologies are the single best way to get a sense of contemporary writing, although the works remain fairly conservative in their form and approach. These are all typical short stories.

One of the most memorable stories this year had abuse in it. As I think back over the years, I now realize that some of the stories that stand out the most have featured some type of abuse. Not because they are better stories, but because they can be so traumatizing to the reader. I don’t like it and seem to get increasingly sensitive to it with each passing year. I even think the series may need to start integrating trigger warnings. Maybe literary fiction more broadly needs to integrate trigger warnings. And, yet, as I write this, I am aware that the trigger warning significantly changes the reading experience. I don’t have the answers. I think this work should exist. It lends insight into the human condition. Even still, at this point I can’t help but think that the subtler works are the greater works.

Don’t Let’s Go to the Dogs Tonight by Alexandra Fuller

Alexandra Fuller’s book, Don’t Let’s Go to the Dogs Tonight offers beautiful writing and insights on living in Africa through the 1970s-90s, amid war and revolution, amid those complicated social dynamics, but also amid the personal dynamics of family, of alcoholism, of mental illness, and parents who offer their children a childhood that is at once amazing and also, probably, negligent.

Fuller’s writing is consistently beautiful throughout. Even in its sometimes stark depictions, the book is infused with a contagious love of Africa. Zambia, Zimbabwe, Malawi have not necessarily been places I’ve ever wanted to visit. I’ve grown up in wilderness areas, and so the great safaris that have drawn others have less pull for me. However, this book made me see some of the other beautiful aspects of the country. After reading the book, I wouldn’t hesitate to go.

This year there’s a new movie out based on the book. From the trailer, it appears that the film follows the book closely. I hope I get a chance to watch it.

I Like to Watch by Emily Nussbaum

If you’re an intellectual who also likes to watch bad TV, then I Like to Watch by Emily Nussbaum is the book for you. Of course, if you also like high quality TV, then this book is also for you. Nussbaum offers nuance, attention to detail, deep insights, but also brings a real love and fandom to the shows to she describes.

I don’t get to watch much TV these days, and I haven’t finished (and in many cases even started) most of the shows Nussbaum analyzes. I still got a lot out of this book. I think TV is so ubiquitous that many readers will appreciate her analysis too.

As short reels and clips and homemade YouTube videos start to take over media consumption, I found myself feeling appreciative, nostalgic, and impressed by the many shows Nussbaum mentions in the book. If you’ve watched some TV, this book is worth reading.

Women and Appletrees by Moa Martinson

IMHO, some of the earliest Marxian feminist novels came from Sweden’s Moa Martinson, who wrote stories, many of which that were deeply personal, of poverty and life in Sweden around the turn of the last century. Since my great grandmother was born around this time in Sweden, I love getting this perspective on life and culture. Martinson’s social commentary is almost entirely shown instead of told, and so it’s particularly powerful. I am always amazed to see people break new ground, and Martinson does that in her novels. Women and Appletrees is particularly good.

Little Weirds by Jenny Slate

I used to write more like Little Weirds by Jenny Slate. Maybe I still do. This work is quirky and literary, emotional and smart, and quirky. Did I say quirky? This is a woman who has been given (given herself?) permission to fly with the little weird thoughts and experiences that make up life. The books vacillates between deep heartache and desperate loneliness and also accounts of companionship, unexpected life-affirming experiences, and good people (mostly women), who have stepped in and made her life better, even if only for a short time. There are little weird encounters or weekends or trips that are healing. You can tell that Slate is a reader and surrounded by art and has a literary eye. Her bio says her dad is a poet, and you can tell. This isn’t the type of book that usually gets published. I’m glad it did.

Through the Children’s Gate by Adam Gopnik

Through the Children’s Gate: A Home in New York by Adam Gopnik is one of the best books on parenting I’ve read. This book is about life, so non-parents will enjoy it too. Fans of the New Yorker will like it for the beautiful writing and deep insights it offers. But, I think parents may appreciate this book the most.

This book reads like a series of connected essays. I can almost see the influence of an editor, trying to thread the themes more intentionally throughout to make this seem more like a novel than separate essays. It really reads like a collection of connected essays though, and it works. Of course it works.

Lives of Girls and Women by Alice Munro

I found Lives of Girls and Women by Alice Munro at a blessed Little Free Library after I was on hour two of watching my kids play at a local park. The cover says “novel,” but it really reads like a series of connected short stories. There’s no question that Munro is an excellent writer, especially of short stories. The first story is “The Flats Road,” and the subtle, yet profound sense of place and character development truly puts Munro in a class of her own. That said, and probably because I was expecting a novel, I had a hard time sticking with the stories. I came expecting a cohesive whole, but the novel isn’t that. If you read it, expect a collection of (good!) shorts.

In Pieces by Sally Field

I cannot tell you how important these books that are written by driven women who are coming of age during the dawn of feminism are to me. With all of the sensitivity and emotional intelligence she’s known for in her acting, Sally Field, adeptly shares her life and insights in her memoir, In Pieces.

Trigger warning, Field shares a good deal of trauma in this book, which she experiences throughout her childhood. However, there’s a deep sense of honesty and insight in the book that makes the message feel important for a broad audience.

With the wisdom of hindsight, Field is able to see how she repeatedly lost herself to men–to her intimate relationships with men and to her sometimes troubled relationships with movie makers. I felt that in my bones. But, Field ends triumphant. It seems she is self-possessed. She knows herself now. She is the main character in her life. That change and realization is possible.

Her relationship with her mother (and the other women in her family) is also interesting. I’m finding that familial relationships and friendships are so rich with emotional fodder and context and potential for story, and Field’s insights here are so moving!

Selfishly, I wanted this book to be more about her role in Forrest Gump, which I found to be stunning and immaculate, but it barely gets mentioned. Instead, more attention goes to her role as Mary Todd Lincoln, which was of course a role that was more recent and seemed more consequential. I guess now I should watch it!

Overall, this is a tough book, but a good one. The reader watches Field gain self awareness and confidence over the course of her career, and it’s really inspiring!

Blink by Malcolm Gladwell

I’m not sure if I’ve ever read anything by Malcolm Gladwell. This book, Blink, came up recently for me, so I decided this was the one. I heard that the book has been pretty widely criticized, but I didn’t know why. It’s one of his older books. Now that I’ve read it, I think I know why it’s been criticized. And, I think most of the problem could have been avoided if Gladwell had used more tentative language. Instead of “X people are Y,” a simple, “Many X people experience Y.” This approach is less essentialist and more accurate. However, whether Gladwell thought the more essentialist approach was stronger, or whether an editor pushed him into that so-called “stronger” language (I could see either being the case), the outcome is a language and an approach that simply hasn’t aged well. Most of this problem wasn’t noticeable to me until the last part of the book, but then he really doubles down. I think the book is interesting and entertaining, but may not have a whole lot of value beyond that. Now I’m very curious to read another one of his books to see how his writing has evolved. I assume it has. Like the rest of us.

Women by Chloe Caldwell

I had two of Chloe Caldwell’s books in my backpack, and so I read them back to back. Women by Chloe Caldwell is her more well-known book, and I do think it it has the most literary merit and staying power of her work that I’ve read so far. Caldwell offers a very focused, very detailed immersion into an intense, obsessive, and destructive relationship with a woman.

This book is not the triumphant lesbian novel I think people want it to be. It is unclear to the reader the extent that Caldwell is lesbian, bisexual, or heterosexual, and this is a key question throughout the book–for Caldwell and for her readers.

A clear look at the experience of being intensely caught up in forbidden love is the point of the book, I think, and also just that experience of living life as a human with desires, stupidity, and pleasure, plus some good old fashioned bed rot and mental illness. Most readers with a beating heart will recognize at least some pieces of this book.